Adam: God’s Creation

New Release:

The book ‘Adam – God’s Creation’ is now available. If you want to access the manuscript, it can be found on the Resources page under Booklets, Articles, Presentations. The link is https://hopefortomorrow.info/resources/articles/  The book is in PDF format and is free to download.

The spiral bound A5 version is available for purchase. Indicate your interest in the comments section.

Notes on writing:

It starts with the desire to write. Writing is a discipline. Writing about a particular subject is writing with intent. Writing about ‘suicide’ will take you to places you would prefer not to go.

Writing is personal. It reveals our deepest thoughts, it explores what we value, who we love, why we believe. We write because we must. There is an obligation to honour, to set right, to challenge. There is an urgency to get it down, lest the moment pass and all is lost. There is a hope that it might bless, or encourage, or comfort, or inspire.

Seth Godin’s words were motivation enough. He says,

It helps to have a working title. At first, I was drawn to ‘Preacher Boy’. This was a name used on social media by those who had seen Adam preaching in public places. One of Adam’s favoured locations was outside the Southern Cross Railway Station in Melbourne. He had a stool that he stood on. It elevated him above the masses. On a visit to Bendigo, he preached in our shopping mall.

The title ‘Preacher Boy’ was catchy, but the difficulty I faced was the tone of Adam’s preaching. It came across judgmental with an overemphasis on the law. Adam believed that people needed to hear how they had failed God before they could find God, and experience his forgiveness. It was preaching driven by a formula – law precedes grace, laced with religious jargon.

I settled on ‘Adam: God’s Creation.’ To acknowledge our beginnings, to know that we were created in love, is to feel understood, accepted, and valued. We matter to God. What we do matters to God.

Without a suitable structure our writing will appear haphazard, unconnected, random. I thought of having chapters, but they did not offer the flexibility I needed. I settled on five parts as a way of organising the text.

Part One covers the final weeks in Adam’s life, a cascade of events that gained momentum and challenged our ability to respond appropriately.                                                                 

Part Two is biographical, a collection of memories that paint a picture of a life lived fully and purposefully.  

Part Three is more technical, a summary of current thinking on suicide and what we can do to prevent it.

Part Four addresses the nature of grief, accepting the premise that no two people grieve the same way.

Part Five deals with the aftermath – How we put our lives back together; How we accommodate the loss of a loved one; How we honour the memory of those who are no longer with us.

I endeavoured to pare down the text, to say a lot with a little, to make every word count. A paragraph I wrote on ‘grief’ illustrates this point.

To de-clutter the text I made use of a Notes section. This allowed for background information, more detailed explanations, and biographical outlines of people I had referenced.

In acknowledging the significant changes in Adam’s life, I referenced ‘life transitions’ in the Notes section. It was the ‘letting go’ Adam found difficult.

Part one of ‘Adam: God’s Creation’ covers the final weeks in Adam’s life. This was a disturbing time for all as we tried to understand what was happening to our son and how we might support him. To try and capture the sense of struggle, disappointment, despair, and fatigue, I have written the account in the present tense. It makes the telling more immediate and the shifting emotions more accessible. Here is an example:

During his intermediate years Adam developed a passion for fly-fishing. The Tukituki River became his favoured location. He says,

                                                                                                                                                                                                                                                                                       

Adam accepted the challenges associated with fly-fishing – the knowledge, skill, concentration, patience, and determination needed to be successful. Adam respected the fish he was trying to catch. He would only keep one or two fish for the dinner table.

Adam adopted a catch and release policy. To this end he used barbless hooks as they reduce the risk of injuring the fish while fighting it. When Adam began making his own flies he used barbless hooks. Adam describes one of his fishing expeditions:

Throughout the book I used the symbol of a barbless fishing fly to signify hope. Being hooked is not a permanent state. Freedom is available. It is God who liberates us from the habits and desires that drag us down, releasing us to do good works in his name.  

When the children were growing up, we had family fridge magnets. Adam’s fridge magnet had the verse,

When we come across blank spaces in our reading, pages that have little or no writing, we sigh and take a deep breath. We are relieved that the writer appreciates our limited capacity to absorb masses of detail. Blank spaces give the reader time to gather themselves and consider how they might respond to the information presented to them and how it might change the way they live.  

Blank spaces allow us the time to think our own thoughts, to come to an understanding, to see a way forward.

A blank space in a book is like a musical rest. A musical rest is a moment of silence or a dramatic pause. The composer put it there for a reason. It might point to what has gone before or it might suggest a change in mood in the music. It is there to help the listener process the story that is unfolding.

An addendum is a supplement to a book. The 101 Grief Quotes are my gift to you. They have been gleaned from the books I have been reading. They are the creative work of people with a lived experience of grief. Their words have the colour and texture of autumn leaves, that fall to the ground and blanket the path we are walking.

There is much discussion about artificial intelligence or AI. Let me remind you, AI knows nothing about grief. AI has never experienced loss. AI doesn’t have a heart or a soul. AI has never shed a tear. Any wisdom AI has acquired is stolen. Not a single word is derived from lived experience.

If it is comfort you seek, don’t look to AI. Look to God, the Creator God, who is the God of all comfort. He waits for us to look to him, for he is real and is ready to hold us in his arms and to wipe away every tear. The Bible says,

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Author: Bruce Rickard

Reflections on Suicide and Staying Alive: My son's suicide changed everything. I felt an obligation to understand why anyone would want to end their life. My regular blog posts explore the causes and prevalence of suicide and what is needed to sustain a healthy mind and a hope-filled future.

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